Wot I Think: I Am Alive. I Am Alive was never coming to PC. You can get it now from Ubi’s shop and Steam, for around . It’s the dark, gloomy tale of one man’s attempt to climb his way to his wife and daughter, and I’ve been playing it for ages. So now I can tell you Wot I Think. ![]() I Am Alive is a cocktail of great ideas and wobbly delivery. It’s a game that constantly walks the line of being almost there, but always finds a way to put its foot down on the wrong side. I’ve simultaneously had a good time playing it, and always felt frustrated by its failings. It’s an odd place, and an interesting one. Things are set in some manner of post- apocalyptic world, fallen cities clouded in heavy, poisonous dust. You are That Guy, trying to find his missing wife and daughter, while helping out anyone who doesn’t try to shoot at you along the way. It’s half climbing, half fighting, and almost always a washed out grey- tone world, with only hints of almost forgotten colour. The tone is bleak. And the inspiration seems likely to be Mc. How to use your xbox 360 controller on ANY valve source game for PC. Connect Xbox 360 Controller to PC (Wireless/Wired). But I can be certain now that MS and the 360 is an effing joke. No I am not a PS3 fanboi. Xbox Association; PC/Mac/Linux Society. Wireless Receiver for my Xbox 360 controller. I wish it did but I am really not sure. Need to do a test on VirtualBox. Charges your XBOX 360 wireless controllers through any USB port. I am not sure if this is a result of the cable or if both of the batteries are bad now. It's not working as intended. Published 1 year ago by Dave. Reclaim the wireless controller module from a broken Xbox 360. I Am Alive; Wot I Think: I Am Alive. I'm really having difficulty with the playstation 3 controller and i want something more ergonomic. PS3 or Xbox 360 text pad? Controller; Best wireless gaming. DNS Failed on Xbox 360 Live Test. If it's still not working. I am trying to use my laptop's wireless connection with my 360 connected through a wired connection to my laptop. I Am Alive Pc Not Working Properly With Xbox 360 Wireless Controller![]() Carthy’s The Road, from setting to enemies to scavenging to your incentive often being guarding a child. You have a gun, but bullets are incredibly rare. Eventually you get a bow and arrow, but literally that, a bow with an arrow. It’s never meant to be third- person action, always aiming to keep you slow, encumbered, and struggling. Unfortunately, that’s an ethos that accidentally invades the act of playing, as well as the experience. Everything you do is within the limits of your stamina – a bar that gradually degrades until you’re standing on a flat surface, above the thickest dust. Climbing uses it up pretty quickly, meaning scaling the conveniently pipey- and- raily- world requires management of this meter, also using inventory items that can boost it, and very rare items that let you rest mid- wall. And once you’re down on the street, that stamina is always dropping as the dust clogs your lungs, meaning running is deadly, and you’ll often need to find heights to climb to if you’re going to survive. And all that’s great, in theory. Limitations are often the most important aspects of allowing fun – too much freedom and there’s no challenge, no incentive. But it’s safe to say they’ve gone way too far the other way here. All the way through it’s hard to shake the feeling that the game somewhat resents your playing it, and is going to spoil whatever it can. When climbing, this comes down to some ludicrously over- restrictive choices, and some occasionally very shoddy mechanics. Everything is pre- ordained, with buttons/keys only working when the game decrees it should be so. So while on rare occasions there are multiple paths to take, you very much feel like you’re trying to drag yourself through the maze, waiting until you’re allowed to jump. Xbox 360 Wireless Controller disconnects or can. If the controller works in one USB port but not another. In the game world there’s absolutely no consistency about what you can climb over or up, with ludicrous things like bin bags being impassable obstacles for a man who can scale up the sides of buildings. Taking the gaming phenomenon of locked doors to the next level, here your character can’t even try to open them – he’s entirely beholden to the shape the world is already in, unless something happens to as you to press X when you get near it. Such a prescribed and proscribed world is still often lots of fun to scale, but never feels free, and you certainly never get to feel inspired. Combat, however, is where what would otherwise have been a decent fun game really falls to bits. The notions behind it are, again, interesting and worthwhile. The delivery is ridiculous. What’s good – and when it works properly it’s really good – is the idea that you’re not some super- ninja action hero, but rather a desperate guy with barely any bullets and a knife. So if there are three baddies coming toward you, and one of them is threatening you with a gun, it’s not a great plan to pull out your pistol and start trying to shoot everyone. Chances are there are more of them than you have bullets, let alone that they’ll have filled you with knives before you could do it. So instead, let the guy the with the gun get too close, then surprise him with your knife and a slice to his throat. That done, the other two will panic and rush you, so now pull out your gun and point it at them. So long as neither can pick up the dropped gun of their fallen friend, you’ve got the upper hand now, and can shout at them to back up, perhaps even push them off the edge of a building or into a fire, and if they realise they’re done for, they could even surrender. Maybe there’s three of them still, and one decides to chance your not having any bullets (and you may not, of course – an empty gun is still an effective threat) – he might rush you. Have you a bullet, shooting him is going to send a very strong message to the other two, and they could give up. That, in principle – and occasionally in practice – is a great and interesting idea. Sadly, most of the time it just doesn’t work. Once you’re facing five or six enemies – and for some godforsaken reason the game thinks it’s clever to have some of them appear behind you – your options really are gone. And while you obviously should be able to end up in a messy knife fight to survive, this is actually impossible. Any time you fight one enemy on his own, you’ll end up in an identical QTE fight to wrestle against him and stab him. If there’s two of them, the other will interrupt this making it impossible. And it’s the only option. It’s just insane that you can’t stab or swing the knife at all, and it means guaranteed restarts until you can figure out a possible way to incapacitate them all. And this is where the other big issue occurs. For some inexplicable reason it’s considered a novel idea to use old- school platform game rules here. You have a limited number of replays (earned by doing deeds for others, as it happens), after which you’ll be forced to start the entire level over. That’s annoying enough in a fast- paced platformer. In a snail- pace plod of a game, it’s agony. So almost immediately it’s only fun if you switch to the “Easy” mode, that lets you have infinite replays, while still maintaining the difficulty of the fights. Fine, except now the good deeding has no incentive at all, which breaks a big chunk of the game. Where I Am Alive is at its best is in the exploration you’re allowed during some missions. Go off path, despite the game complaining at you for it, and you can find other citizens who need a hand, bonuses in hard- to- reach places (albeit extremely few – the game asks some interesting questions about whether off- road exploration should always end in a reward, as not doing it may be realistic, but it’s damned disappointing), and climb structures for fun. Sometimes the two correlate, and the mission means going past such places anyway – that’s how it should be all the time, obviously. The bleakness actually works well, and the acting is top- notch. While it certainly doesn’t get close to recreating the atmosphere of Mc. Carthy’s novel, it does a damned good job of making you care about little Mai. A nice refrain of video camera footage makes the storytelling interesting, and adds a good deal of humanness to it all. Indeed, there is much in the game to be lauded, and while the graphics are certainly held back by their console roots, the artistic design is often splendid. For once fogging in a game isn’t a get- out, but rather an aesthetic choice. What you get is a sort of slo- mo Prince Of Persia: Sands Of Time, if the Prince were a depressive and sand turned to dust. But something with a lot more feeling, though sadly a lot less slick. I love a lot of what I Am Alive wants to be, and I dearly wish it could have achieved that aim more frequently than it does. Playstation 3 controller alternative - PC Gaming. Yeah, I was referencing the XCM or HDE adapters.
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![]() Rocksmith: A Guitar Player's Perspective. Share. Of course, their sentiment was less an encouraging call to ax's and more an acerbic attack on musical mediocrity – anyone can play guitar, but few of us can write genuinely good songs. Ubisoft's Rocksmith isn't too concerned with teaching you about musical composition – it's strictly about getting you up to speed with chords, scales and basic fretboard techniques and putting you on the path towards becoming a decent guitar player, and as long as you've got working sets of eyes, ears and hands (and/or incredibly dexterous feet), you'll be able to pick it up and play. But is it a worthwhile purchase if you're already familiar with the instrument? I played in a couple of different bands during my university years at various pubs and clubs in Sydney's inner city, but inevitably I finished studying, got a job, got married and my musical pursuits were pushed to the periphery. However, even though I might not play guitar for a living, I have spent well over two decades now playing guitar almost everyday – and back when I was a student and had minimum responsibilities or commitments (and no girlfriend), I'd often play up to six hours in the one evening. I couldn't get enough of it. Sure, Power Gig and Rock Band 3 have both previously dabbled in allowing you to use strings instead of coloured buttons, but Power Gig was straight up awful and Rock Band 3 required a specially designed Stratocaster. Conversely, Rocksmith works with each of the eight guitars I already own. That score sits well with me, as I feel that while Rocksmith is somewhat rough around the edges in terms of presentation, it certainly works at a technical level and indeed interprets the sounds generated by your fingers on the strings (occasional dud string bend not withstanding). My main concern prior to getting the game was that it might suffer from audio latency, but in both the IGN AU games room setup and my lounge room at home, the game performs with a barely tangible delay between the strings and the speakers (although for reasons unknown the song replays are always completely out of sync). So the first pass through a verse might just give you the root note in each chord, and then the next time through the game will reveal the fifth and octave notes and before you know it you're playing power chords. As someone who already plays (and given that I already knew how to play many of the songs on Rocksmith's soundtrack prior to getting the game), I found myself intuitively feeling out each riff and chord progression without the need for further instruction from the game, so it's hard for me to gauge how effective this method of teaching would be for someone completely fresh to the instrument. One analogy might be that learning to play a song from scratch in Rocksmith would be akin to learning how to spell a word by watching Wheel of Fortune, as you're given just hints of what's going on at first before eventually having the whole thing revealed, which might be interpreted as counter- intuitive. At the end of the day, the guitar is a very approachable instrument and most people will develop their skills by absorbing a variety of influences. I learned by studying a chord book and then taping songs off the radio (totally showing my age here) and figuring them out via trial and error. Not the most efficient way of learning, but you do end up with a pretty good ear for chords and scales, even if you can't name them all (I know plenty of scales by hand, but to me 'Phrygian mode' sounds like something you unlock in a shoot- 'em- up). It certainly shouldn't be perceived as the be all and end all for learning how to play the instrument – no one source can really claim that (not until Hendrix comes back from the grave and starts giving lessons). Nobody likes to practice scales, but building up your muscle memory is essential in order to improve as a soloist, so whereas I used to practice scales by absent- mindedly running through them while I watched something else on television, now I can try and beat my high score in one of Rocksmith's 'Guitarcade' games like Scale Runner and get a tangible indication of whether or not I'm improving. ![]() Rocksmith, Powerful Training Tool or Just Another 'Guitar Hero'? I really enjoy playing, and as someone who's prone to be easily defeated sometimes. Read below for our Rocksmith 2014. Sure you can get in there and learn a few notes of a. Notes fly at you just like in games such as Guitar Hero. It's not in any way going to take my playing to another level, but it is certainly going to make practicing a heck of a lot more enjoyable and it beats playing along with a metronome as far as tightening up my technique and phrasing goes. Although the developers have built the effects themselves rather than license them from effects companies like Line 6 or Digitech, they all sound great and I've spent a lot of my time with the game just fooling around with pedal combinations and chasing tones. The day that I can heat up some leftovers in my microwave by banging out the riff to 'Rock You Like a Hurricane' must surely be soon at hand. On Trying to Learn Guitar With Rocksmith 2. I have this daydream in which I'm sat in the SPOn. G Orbital Platform on my own one day and someone's left a guitar lying around. And, because making sure all the release dates are in order for hidden object puzzle games gets tedious sometimes, I just.. And pick a string. An hour later everyone gets back from lunch to find me stood, hunched over in a trance- like state, dripping with sweat, squalling out something that sounds like the result of Jimi Hendrix joining Explosions in the Sky. Everyone stands, transfixed, as I change the way they think about the guitar. ![]() ![]() It's an experience so epic and all- consuming that someone decides to fire the thrusters and drop us into the atmosphere so we can all burn across the sky while I play, and then the citizens of Earth cut my face into the moon as a testament to how amazing I am at guitar. Hello Rocksmith. This is not a review, by the way. For reasons that'll become quickly apparent, I'm not well- equipped to provide a thorough review. This is a report on what happens when you give a witless n. Rocksmith 2. 01. 4 to see if he can learn guitar. Things started well enough. The set- up requires you have a guitar and a lead that enables you to plug into your console (3. USB port. You set some basics, such as which hand you favour, whether you want to play bass, rhythm or lead guitar (I went 'lead', because of.. Then you get to the main menu, which is the point at which your hand stops being held. Listed are 'Learn a Song', Session Mode', 'Nonstop Play', 'Lessons', 'Guitarcade', 'Multiplayer' and 'Uplay'. It's not entirely clear what all those are without a bit of exploration, but it was pretty obvious where I needed to head. The lessons start off reeeeaaaallll simple. Like, 'here's how to hold your plectrum' simple. Which is good, because that's the exact sort of thing I imagine a self- taught guitarist can find they've been doing wrong for half a decade. Once you get to the stuff that involves playing actual notes the lessons start by giving you an explanation of what you're about to do, with video thrown in for good measure. When it's time to give it a go yourself, you'll be presented with an on- screen fretboard scrolling towards you that's not dissimilar from those you'd find in the likes of Rock Band or Guitar Hero if they were still around. Except, you know, this one has real notes on it. When it works, it's a great system. I can't, in fact, think of a format better suited to presenting you with how to play a song. It shows you where on the fretboard your digits need to be, gives you the timing in *ahem* real- time and has other parts of the music playing to give you audio clues as to what you should be doing. One huge advantage of a system like this if you're a bit useless is there's no- one in the room impatiently watching you. That was also, alas, where me and Rocksmith 2. You see, my fingers flit across the fretboard with all the dexterity of haunted sausages. Rocksmith has a couple of tricks up its sleeve to help you if you get stuck. First it will slow the music down for you. Then, it will take you back out of the exercise to show you video footage of some hands (there's never a head) doing what you're attempting to do, with some more explanation. But, sooner or later, you're left to repeat the exercise again and again until you get it. There's no suggestion of an alternate version of the riff. The game certainly can't nail the exact reason you're going wrong so that you can fix it. I was attempting to get a bend right, for example, and failing spectacularly. The game (which talks in a rad American accent) kept saying I was on the wrong string. For reasons that still escape me I was muting the string and producing a duff note. Understandably, however, the game couldn't see that. I'm not picking fault with the development team here – there are just natural limits to what a piece of software can do for you (for the time being, at least). I firmly believe that Rocksmith has a better chance of teaching me guitar than a book or a website, but I have a sneaking suspicion that I'm just too cack- handed for it to be up to the task of teaching me. If, however, you are less rhythmically- challenged than I am, I suspect the game/software can do a lot for you. A friend who'd probably fall into the 'intermediate' range took a pop at it and after five minutes or so came away quite pleased, having mastered the rudiments of Everlong by The Foo Fighters. There are 5. 0 tracks on the disc, running the gamut from Def Leppard to the Deftones. There are well over 1. Also added this time out are the 'Guitarcade' games, which are mini- games playable with the guitar. They're pretty good fun even if, like me, you have bear paws for hand. So, for the even vaguely able, there's a lot here. If, like me, you have barely- functional flesh- clubs where your hand should be, you may not get very far. Does Rocksmith actually teach you how to play guitar? EDIT: Lord, I ended up typing far more than I intended. I'm moving my tl; dr to the top. Yes, it'll teach you guitar. I haven't played it myself so I can only go off of what I hear from other people, hence all the wordiness in here. It's almost certainly a yes. The Rocksmith bundle comes with a real, actual, functioning Epiphone Les Paul Junior. I looked up a couple videos on the internet and learned to read tabs to teach myself how to play guitar, and getting the basics down is easy. I personally would never pay for guitar lessons. I have a friend (who is the frontman for Sk. Attered Union) who gives guitar lessons and he assured me that there's really not much they can teach you that practice and minimal research wouldn't do for you anyway. Note that I'm not saying this is a fact and that guitar lessons are useless, just that a guy who gives them told me that they are. Back to the main point, though. The game works on real, actual, functioning guitars. It teaches you how to play the real guitar, because that's what you're using as a controller. It'll show you chords, how to hold them, etc. Rock Band pro guitar taught you the names of the strings and which fingers to use to hold down which strings for chords, so I can't imagine Rocksmith would be any less helpful than that considering that you're playing an actual stringed instrument and creating the proper, actual sound out of your guitar at the same time you make the correct sound in game. There's also a mode that allows you to use all sorts of different amps and pedals and it even teaches you how to get the sounds out of those that you desire, both in game and for a real guitar. If it's detailed enough to teach you that, I can't imagine it wouldn't teach you basics. The E3 reveal and the trailers to date all say that it . Research into it yourself a bit more before making the full purchase. If you don't already own an electric guitar, the bundle will set you back $2. I plan on picking this game up to help me advance my skills and also just to have fun with it, so I also have looked into it quite a bit and it seems legitimate. It isn't Rock Band or Guitar Hero; you are playing a genuine instrument, not a controller. Private and group instruction in a wide variety of instruments, including acoustic & electric guitar, piano, drums, vocals, orchestral strings, brass. Blackface was an important performance tradition in the American theater for roughly 100 years beginning around 1830. It quickly became popular elsewhere. Today Joe Edwards, the unofficial mayor of The Loop, was at the Moonrise Hotel to announce the Loop Eclipse Festival, an event 575 years in the making. Jazz Guitar Tab Books, Instructional DVDs, Chord Melody Solos, Arrangements, Improvisation, Transcriptions, Sheet Music, Tablature, Licks, Video Lessons. Stage Names and Real Names. STAGE NAME ( profession ) BIRTH NAME Numbers#2/The Pig(US bassist; Slipknot/Unida). Paul Gray. 2pac/Makaveli (US hip hop artist, poet, actor) - Tupac Amaru Shakur 3. D (UK. singer; Massive Attack) - Robert Del Naja. Krazy/Young Dro (American rapper). D'Juan Montrel Hart 3. LAU (American DJ, producer) - Justin Blau. T/TJ. - Tito Joe Jackson ((Son of Jackson 5's Tito))5. MUSICIANS ~ SINGERS & MUSIC BIZ PEOPLE ORIGINAL NAMES STAGE NAME FIRST UPDATED REGULARLY This list is original and unique to this site, I have seen it copied to. Música clássica (Art music) · Música popular Blues · Eletrônica · País · Folk · Heavy metal · Hip hop · Jazz · Reggae · Rock. Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in. Jean Lawrence Cook WWI Draft Registration Card 12th September 1918. My first experience of J. Lawrence Cook’s work came when.
Cent (US rap artist) - Curtis. James Jackson III7. Cents/Laci (Croatian. Ladislav Demeterffy 9th. Little Brother) - Patrick. US singer- songwriter, pianist) - Alison Sudol. A. J. Masters (American. Arthur John Masters A. J. Mc. Lean (Backstreet Boys) - . Alexander James Mc. Lean. A. J. Pero (US drummer; Cities/Twisted Sister) - Anthony. Jude Pero. A. P. Carter (Country musician) - Alvin Pleasant Delaney Carter. Aaliyah - (US singer) - Aaliyah Dana Haughton. Abbath Doom Occulta (Norwegian. Immortal) - Olve Eikemo. Abbe Lane (US singer, actress) - Abigail. Francine Lassman Abbey Lincoln (US jazz vocalist) - Anna Marie Wooldridge. Ace (Skunk Anansie) - Martin Kent. Ace Cannon (US saxophonist) - John. Cannon Ace Hood (American rapper) - Antoine Mc. Colister Ace Frehley (Kiss). Paul Daniel Frehley. Acker Bilk (UK jazz clarinetist) - Bernard Stanley Bilk. MBEAd- Rock / King Ad- Rock (US rapper, guitarist; Beastie Boys) - Adam Keefe. Horovitz. Adam Ant (UK singer) - Stuart Leslie Goddard. Adam Bomb (US guitarist. Adam Brenner. Adam Devlin (UK guitarist; The Bluetones) - Adam Tadek. Gorecki. Adam Faith (UK singer) - Terence Nelhams- Wright. Ad. Sure (US R& B. Albert Joseph Brown IIIAl Kooper (US vocals, keyboards, guitar). Alan Peter Kuperschmidt Al Doughty (Jesus Jones) - Alan Jaworski. Al. James (UK bassist, Showaddywaddy) - Geoffrey Betts Al Jolson (US singer). Asa Yoelson. Al Martino (Italian- American singer, actor) - Alfred Cini. Al Sobrante (US drummer; Green Day/others) - John Kiffmeyer. Al. Vega (US jazz pianist). Aram Vagramian. Alan Anton (Canadian bassist; Cowboy Junkies) - Alan Alizojvodic. Alan Dale (US singer) - Aldo Sigismondi. Alan. Douglas (American. Alan Douglas. Rubenstein. Alan Le Clare (UK jazz pianist) - Alan Cocks Alan. Perry (British. composer) - Ernest Tomlinson. Alan. Thicke (Canadian actor, songwriter, TV host) - Alan Willis Jeffery. Alba Sol. Cheeks (US rapper) - Terrance. Kelly. Andy Anderson/Clifford Leon Anderson (UK drummer; The Cure/many top. Andy De. Mize (US drummer; Nekromantix) - Andrew Martinez. Andy. Kim (Canadian pop singer) - Andrew Youakim. Andy La. Rocque (Swedish guitarist. King Diamond) - Anders Allhage. Andy Mc. Coy (Hanoi Rocks) - Antti Hulkko. Andy Pierce (Swedish vocalis; Nasty Idiots) - Anders Persson. Andy Razaf (US. composer, poet, lyricist) - Andriamanantena Paul Razafinkarefo. Andy Russell. (US popular vocalist) - Andr. James. Apl. de. Ap (Black Eyed Peas) - . Allen Pineda Lindo. Apollo Papathanasio (Swedish vocalist) - Apostolos Papathanasio. Appie. (Dutch drummer; Earth & Fire) - Ab Tamboer April March (US singer- songwriter) - Elinor Blake Ari Up/Madussa (German. The Slits) - Ariana Forster. Arnie. Norse/Skiffle Joe (Norwegian singer) - Arne Trandal. Arrow (Montserratan, soca singer- songwriter, music pioneer) - Alphonsus Cassell. Art Blakey (jazz drummer) - Abdullah Ibn Buhaina. Arthur Brown (UK vocalist. The Crazy World of Arthur Brown) - Arthur Winton. Arthur Freed (US lyricist. Hollywood film producer) - Arthur Grossman. Arthur Tracy/The Street Singer. US vocalist) - Abba Avrom Tracovutsky Artie Shaw (US clarinetist) - Arthur. Jacob Arshawsky. Artimus Pyle (US drummer; Lynyrd Skynyrd) - Thomas Delmer. Pyle. A$AP Yams (US rapper; A$AP Mob) - Steven Rodriguez Ashanti (US singer). Ashanti Shequoiya Douglas Ashley Dupr. Taylor Group/solo) - William Edward Taylor. B. G./Baby Gangsta (US rapper) - Christopher Dorsey. B. J. Cole (English pedal. John Cole B. J. Thomas (US singer) - Billy Joe Thomas B- Real (Cypress. Hill) - Louise Freeze Baatin (American rapper; Slum Village) - Titus Glover. Baby Dodds (American jazz drummer) - Warren Dodds Baby Simms (US radio disc. Gilmore La. Mar Simms. Baby Spice (UK vocals; Spice Girls) - Emma Bunting. Babyface (UK singer) - Kenneth Brian Edmonds. Bad News Brown (Canadian rapper. Paul Frappier. Balducci/Frosco Lee (US guitarist, vocals. Green Day) - Jason White Baltimora (Irish singer, dancer) - Jimmy Mc. Shane. Bap. Kennedy (Irish. Martin. Christopher Kennedy. Barbara (French singer) - Monique Andr. Binette Betty Curse (UK actress, singer) - Megan. Burns. Betty Curtis (Italian singer) - Roberta Corti Betty Hutton (US. Elizabeth June Thornburg. Betty Webb/ Lizbeth. Webb (UK soprano, stage actress) - Elizabeth Holton. Bettye La. Vette (UK singer- songwriter). Betty Haskins. Beverly Sills (US singer) - Belle Miriam Silverman. Bez. (UK musician; Happy Mondays) - Mark Berry Bi Kidude (Zanzibari singer) - . Fatuma binti Baraka. Bibie (Ghanaian singer) - B. Benberg (US drummer, composer; Supertramp/others). Bob Siebenberg Bob Crewe (American songwriter) - Stanley Robert Crewe. Bob Day / Bob Allison (UK singer; Allisons) - Bernard Colin Day Bob Dylan. US singer- songwriter, poet, musician) - Robert Zimmerman Bob Fr. Jones. Boomer Castleman (US singer- songwriter). Owens Boomer Castleman. Boon Gould (US guitarist, multi- musician; Level 4. Rowland Charles Gould. Boots Randolph (US sax player) - Homer Louis Randolph. Bored. Nothing (Australian singer- songwriter) - Fergus David Edward Miller. Boris. (French singer, songwriter, composer, radio host) - Philippe Dhondt. Boule. Noire (Canadian singer, radio host) - George Thurston. Bounty Killer (Jamaican. Rodney Basil Price. Bourvil (French actor and singer) - Andr. Bregman Buddy. Buie (American songwriter). Perry Carlton Buie. Buddy Catlett (US jazz multi- instrumentalist) - George. James Catlett Buddy Cole (US jazz pianist, organist, bandleader) - Edwin. Le. Mar Cole. Buddy. De. Franco (US jazz clarinet player). Boniface Ferdinand Leonard De. Franco Buddy Greco. US jazz, pop singer). Armando Greco. Buddy Holly - Charles Hardin Holley Buddy Lucas (US jazz tenor saxophonist. Alonzo W. Lucas. Buddy Rich (US jazz drummer) - Bernard Rich. Buddy Tate (US jazz saxophone player) - George Holmes Tate Buddy Mc. Rae (American. tenor singer; The Chords) - Floyd Mc. Rae Buffy Sainte- Marie (Canadian folk. Beverly Sainte- Marie. Bun B (US Rapper; UGK) - Bernard. Freeman. Bun E. Carlos (Cheap Trick) - Brad Carlson. Bunny Berigan (American. Rowland Berigan. Bunnie. Foy (US jazz singer, percussionist, songwriter). Shirley Bunnie Foy. Bunny. Lee/Striker Lee. Jamaican record producer) - Edward O'Sullivan Lee. Bunny Rugs Scott (Jamaica vocalist; Inner Circle/others) - William Clarke. Bunny Wailer (Jamaican musician; Bob Marley/The Wailers) - Neville O'Riley Livingston. Burning Spear (Jamaican reggae singer) - Winston Rodney OD Burton Lane (American. Burton Levy. Busby Berkeley (musical film choreographer). William Berkeley Enos. Bushido/Sonny Black (German rapper) - Anis Mohamed. Youssef Ferchichi. Bushwick Bill (rap artist) - Richard Shaw Busta Rhymes. Trevor Tahiem Smith. Buster. Cooper (US jazz trombonist) - George Cooper. Butch Morris (US cornetist, composer; Orchestra Slang) - Lawrence D. Morris. Butch. Trucks (US drummer; Allman Brothers Band). Hudson Trucks. Butch Vig (US record producer, drummer; Garbage) - Bryan David Vig. Butch Warren. (US jazz double bassist; sideman) - Edward Warren Buzz Wayne aka Dig Wayne. Jo. Boxers) - Timothy Wayne Ball. CC. Chenier (US Zydeco singer, accordion, saxophone) - Clayton Joseph Thompson. C- Jay Ramone (US bassist; The Ramones) - Christopher Joseph Ward. C- Murder. (US rapper; TRU/solo) - Corey Miller. C. Rele (Indian classical singer). Chandrashekhar P. Mc. Call (US country singer) - William Dale Fries. Cadalack. Ron (American battle rapper). Robert Paulson. Cal Smith (US country singer) - Calvin Grant Shofner Calum Macdonald (Scottish. Runrig) - Calum Alasdair Domhnallach. Calvin Harris (Scottish. Adam Richard Wiles. Calvin Russell (US protest. Calvert Russell Kosler Cam'ron (US rap artist. Cameron Giles. Camar. Courtney Love (US singer) - Michelle Harrison. Cowboy. Copas (US country music singer) - Lloyd Estel Copas Cowboy Troy (American. Troy Lee Coleman IIICoxsone Dodd (Jamaican record producer). Clement Seymour Dodd. Cozy Cole (US jazz drummer) - William Randolph Cole. Cozy Powell (UK drummer) - Colin Flooks. Craig Douglas/The Singing Milkman. UK singer) - Terence Perkins Crazy. Toones (US hip- hop record producer, DJ. WC and the Maad Circle) - Lamar Dupr. Boon (US singer, guitatist; The Minutemen). Dennes Dale Boon. D. Woods (US singer; Danity Kane) - Wanita Woodgett. D. D. Winters/Vanity. Canadian singer; Vanity 6) - Denise. Katrina Matthews. D. J. Alice (Japanese musician) - Soyo Oka. D. J. Ashba (US guitarist; Guns n. Roses, others) - Daren Jay Ashba D. J. AM (US DJ, club owner; Crazy Town). Adam Michael Goldstein. D. J. Assault (US hip hop musician) - Craig De Sean. Adams. D. J. Big Will (US DJ and Radio presenter) - William Dunn. D. J. Bobo. (Swiss singer) - Peter Ren. Clue (US DJ and. producer) - Ernesto Shaw D. J. Doctor Nice aka Human Beat Box (Rapper) - Darren. Robinson. D. J. Headliner (hip- hop. Timothy Barnwell. D. J. Homicide (Sugar Ray) - Craig Bullock. D. J. Khaled (Palestinian- American hip- hop/rap. Khaled Khaled. D. J. Mehdi (French hip hop and electro musician) - . Mehdi Fav. Muggs (US producer, DJ, Cypress Hill) - Lawrence. Muggerud D. J. Premier/Preemo (US hip hop artist) - Christopher Edward Martin. D. J. Q- Ball. (US singer, DJ; Bloodhound Gang) - Harry Dean Jr. D. J. Quicksilver (Turkish. Orhan Terzi. D. J. Quik (American rapper) - David. Martin Blake. D. J. Rashad. (US electronic musician, producer, DJ). Hanif Harden. D. J. Sammy (Spanish DJ, producer) - Samuel Bouriah. D. J. Screw (rapper; Screwed. Up Click) - Robert Earl Davis Jr D. J. Shah/Sunlounger (German- Pakistani electronic. Roger Shah. D. J. Solarize (South African artist. Leon Botha D. J. Spinderella - (DJ for Salt n Pepa) Deirdre. Roper. D. J. Terminator X (rapper) - Norman Rogers. D. J. Trend/TNT (UK DJ. Gifford Noel D. J. Tukutz (South Korean DJ; Epik. High) - Kim Jung- Sik. Blackface - Wikipedia. Blackface is a form of theatrical makeup used predominantly by non- black performers to represent a black person. The practice gained popularity during the 1. It quickly became popular elsewhere, particularly so in Britain, where the tradition lasted longer than in the U. S., occurring on primetime TV, most famously in The Black and White Minstrel Show, which ended in 1. Early white performers in blackface used burnt cork and later greasepaint or shoe polish to blacken their skin and exaggerate their lips, often wearing woolly wigs, gloves, tailcoats, or ragged clothes to complete the transformation. Later, black artists also performed in blackface. Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. Another view is that . It remains in relatively limited use as a theatrical device and is more commonly used today as social commentary or satire. Perhaps the most enduring effect of blackface is the precedent it established in the introduction of African- American culture to an international audience, albeit through a distorted lens. John Strausbaugh places it as part of a tradition of . From at least the 1. United States. Rice, who truly popularized blackface. Rice introduced the song . While both are wearing wigs, the man on the left is in blackface and drag. Rice traveled the U. S., performing under the stage name . The name Jim Crow later became attached to statutes that codified the reinstitution of segregation and discrimination after Reconstruction. Initially, Rice and his peers performed only in relatively disreputable venues, but as blackface gained popularity they gained opportunities to perform as entr'actes in theatrical venues of a higher class. Stereotyped blackface characters developed: buffoonish, lazy, superstitious, cowardly, and lascivious characters, who stole, lied pathologically, and mangled the English language. Early blackface minstrels were all male, so cross- dressing white men also played black women who were often portrayed as unappealingly and grotesquely mannish, in the matronly mammy mold, or as highly sexually provocative. The 1. 83. 0s American stage, where blackface first rose to prominence, featured similarly comic stereotypes of the clever Yankee and the larger- than- life Frontiersman. Christy did more or less the same, apparently independently, earlier the same year in Buffalo, New York.). Though written in dialect and certainly politically incorrect by today's standards, his later songs were free of the ridicule and blatantly racist caricatures that typified other songs of the genre. Foster's works treated slaves and the South in general with an often cloying sentimentality that appealed to audiences of the day. Minstrel shows dominated popular show business in the U. S. Some social commentators have stated that blackface provided an outlet for whites' fear of the unknown and the unfamiliar, and a socially acceptable way of expressing their feelings and fears about race and control. Writes Eric Lott in Love and Theft: Blackface Minstrelsy and the American Working Class, . As early as 1. 83. Thomas D. Stone in Boston Blackie's Rendezvous. In the first known film of Uncle Tom's Cabin (1. Griffith's The Birth of a Nation (1. Thereafter, whites in blackface would appear almost exclusively in broad comedies or . The radio program Amos 'n' Andy (1. Strausbaugh estimates that roughly one- third of late 1. MGM cartoons . The story behind the ballet was inspired by a tone poem written by Nicolai Rimsky- Korsakov. In the ballet the leading female character, Zobeide, is seduced by a Golden Slave. The dancer who portrayed the Golden Slave, the first being Vaslav Nijinsky, would have his face and body painted brown for the performance. This was done to show the audience the slave was of a darker complexion. Later in 1. 91. 2, Fokine choreographed the ballet Petrushka, which was performed on stage. The ballet centers around three puppets that come to life, Petrushka, the Ballerina, and the Moor. When the ballet premiered, the part of the Moor, first danced by Aleksandr Orlov, was performed in full blackface. The Moor puppet is first seen onstage playing with a coconut, which he attempts to open with his scimitar. His movements are apelike. The Moor seduces the Ballerina and later savagely cuts off the head of the puppet Petrushka. When Petrushka is performed today, the part of the Moor is still done in full blackface, or occasionally blueface. The blackface has not been publicly criticized in the ballet community. Black and brownface appear in other ballets today, such as La Bayad. Shown here in blackface, he was the highest- paid African American entertainer of his day. Frederick Douglass generally abhorred blackface and was one of the first people to write against the institution of blackface minstrelsy, condemning it as racist in nature, with inauthentic, northern, white origins. This presumption of authenticity could be a bit of a trap, with white audiences seeing them more like . Despite often smaller budgets and smaller venues, their public appeal sometimes rivalled that of white minstrel troupes. In March 1. 86. 6, Booker and Clayton's Georgia Minstrels may have been the country's most popular troupe, and were certainly among the most critically acclaimed. One of the most successful black minstrel companies was Sam Hague's Slave Troupe of Georgia Minstrels, managed by Charles Hicks. This company eventually was taken over by Charles Callendar. The Georgia Minstrels toured the United States and abroad and later became Haverly's Colored Minstrels. Some jubilee troupes pitched themselves as quasi- minstrels and even incorporated minstrel songs; meanwhile, blackface troupes began to adopt first jubilee material and then a broader range of southern black religious material. Within a few years, the word . In the early days of African- American involvement in theatrical performance, blacks could not perform without blackface makeup, regardless of how dark- skinned they were. James Monroe Trotter — a middle- class African American who had contempt for their . Owing to the discrimination of the day, . It was through blackface performers, white and black, that the richness and exuberance of African- American music, humor, and dance first reached mainstream, white audiences in the U. S. It was also a forum for the sexual double entendre gags that were frowned upon by white moralists. There was often a subtle message behind the outrageous vaudeville routines: The laughter that cascaded out of the seats was directed parenthetically toward those in America who allowed themselves to imagine that such 'nigger' showtime was in any way respective of the way we live or thought about ourselves in the real world. Still, TOBA headliners like Tim Moore and Johnny Hudgins could make a very good living, and even for lesser players, TOBA provided fairly steady, more desirable work than generally was available elsewhere. Blackface served as a springboard for hundreds of artists and entertainers—black and white—many of whom later would go on to find work in other performance traditions. For example, one of the most famous stars of Haverly's European Minstrels was Sam Lucas, who became known as the . The comics said they felt . Blacks took over the form and made it their own. The professionalism of performance came from black theater. Some argue that the black minstrels gave the shows vitality and humor that the white shows never had. As the black social critic Le. Roi Jones has written: It is essential to realize that.. America is important if only because of the Negro's reaction to it. The cakewalk is caricaturing white customs, while white theater companies attempted to satirize the cakewalk as a black dance. Again, as Le. Roi Jones notes: If the cakewalk is a Negro dance caricaturing certain white customs, what is that dance when, say, a white theater company attempts to satirize it as a Negro dance? I find the idea of white minstrels in blackface satirizing a dance satirizing themselves a remarkable king of irony—which, I suppose is the whole point of minstrel shows. Blacks, including slaves, were influenced by white culture, including white musical culture. Certainly this was the case with church music from very early times. Complicating matters further, once the blackface era began, some blackface minstrel songs unquestionably written by New York- based professionals (Stephen Foster, for example) made their way to the plantations in the South and merged into the body of African- American folk music. Well into the 2. 0th century, scholars took the stories at face value. They drew on much material of undoubted slave origins, but they also drew on a professional performer's instincts, while working within an established genre, and with the same motivation as white performers to make exaggerated claims of the authenticity of their own material. Author Strausbaugh summed up as follows: . It was a mix, a mutt – that is, it was American music. The generic British golliwog later made its way back across the Atlantic as dolls, toy tea sets, ladies' perfume, and in myriad other forms. Blackface was one of the influences in the development of characters such as Mickey Mouse. Mickey, of course, was already black, but the advertising poster for the film shows Mickey with exaggerated, orange lips; bushy, white sidewhiskers; and his now trademark white gloves. For decades, darky images had been seen in the branding of everyday products and commodities such as Picaninny Freeze, the Coon Chicken Inn. Dakkochan was a black child with large red lips and a grass skirt. There were boy and girl dolls, with the girls being distinguished by a bow. The black skin of the dolls was said to have been significant and in- line with the rising popularity of jazz. Novelist Tensei Kawano went as far as to state, . Page. Insider - Information about all domains. Video Game Jobs in Canada. Interactive Selection, the game industry’s first and only global game recruitment firm, confirmed the opening of their new North American division, headed by senior game staffing professional, Fiona Cherbak. Operations for the agency. 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